Thursday, July 15, 2010

TRACKING THE TRACKS

Songs are just like ornaments for any film. Good and meaningful lyrics always beautify the whole content of the movie. There are seven songs of every mood in Impatient Vivek and all the songs are very catchy and melodious.
Besides Neeraj  Srivastav, Raja Ali, Binish Khan there is Nusrat Badr  who has written the song TUJHE MAANGA HAI SADA RAB SE... The unit has recently shot this song to which Vivek and Sayali have given lively  performances. The melody of this song will certainly be appreciated and liked by all including youngsters.
He has many big films in his account such as Deewangee, Deewaar, Saanwariya and Devdas. Who can forget the song Dola Re Dola... of Devdas for which Nusrat Badr has won the IIFA Best Lyricist Award in 2003. We give him all our heartiest wishes so that he could create the same magic again in Impatient Vivek.
Binish Khan has written the title track of the film. Neeraj srivastav has written two songs, EK PARI...and KHURAAFAAT...
Raja Ali has also written two songs ISHQ MUSIBAT.....     and         MERI NINDIYA......
The versatile director Rahat Kazmi has also given his contribution to the songs of the film. He has written one mast song...............................MAST KALANDAR...

Wednesday, July 7, 2010

EDITOR OR ACTOR...? ALL-ROUNDER...!

It seems that Search Film’s Production is really talented and complete team. Mr. Anil, the editor of the film IMPATIENT VIVEK is appropriate example of this fact. Besides editing he will be seen on the screen showing his latent acting talent. For a comedy scene of the film there was need of a TAANTRIK and it was very difficult to find a taantrik who could also play that funny character in front of the camera. Trial after trial were going on and the result was nothing. 
One afternoon when the unit was having lunch together, suddenly director Rahat Kazmi asked Anil, ”why don’t you do the role of the taantrik?”
Everybody started laughing and Anil was in dilemma and saying no...no...no sir !
Anil was trying to explain the director that he could not act as he had never faced camera and he was also not confident at all about his performance. He was afraid because of the performance quality standards set by Rahat but he could not hide his acting talent from the director’s eyes. Ultimately, bechaara Anil....acting karni hi padi and yes, Fraderick from the camera team also performed as Anil’s assistant taantrik.
Both of them performed so well that when the shot was declared ok by Rahat, all unit members started screaming in joy and hugging Anil and Fraderick. Everybody was asking them, “where were you guys so far?” and ever smiling director Rahat,with a cute smile, again became busy in the preparation of the next scene.
What a talented and all-rounder team is this ! 
Everybody is working with full dedication and coordination on the sets as it is their home production. No noise, no complaints, no director’s anger, no ego clash and nobody can imagine that a film shooting can go on so peacefully. It looks like a family get together if you remove camera and lights from the venue.

Thursday, July 1, 2010

PASSION FOR PERFECTION

Time and tide wait for none and for the perfection in any natural shot proper time with optimum light has its own importance. The director of the film IMPATIENT VIVEK and its cameraman M. Sethuraman kept in mind this fact very well and to maintain the essence of the scene they were quite committed. Despite wrapping up the shoot late night both of them used to wake up at 4 am every morning and watch out the correct setting of the sun for the dawn, climatic condition of the place and the amount of the natural light available for shoot. They did the same for the dusk also.
Recently during the shoot in Udaipur one interesting incident took place. One emotional and very important scene had to be shot in the low evening light on the stairs of a ghaat. Everybody was doing his job perfectly. Lead artist Vivek and his co-artist Hrishikesh Joshi threw their full emotions into the scene. They were performing so well that everybody was engrossed in their performance. But nobody even the artist was aware of the fact that the director and the cameraman had decided meanwhile to reshoot the scene next day just because the proper light ceased to be available during the scene. Camera was also rolling as usual and after the shot everybody was happy about the perfect performance of the artists.
In hotel at the dinner director Rahat Kazmi declared the reshoot of the complete scene next morning. Everybody was shocked that what went wrong. Vivek and Hrishikesh were also surprised and told Rahat that they had performed well and despite the amount of light available the scene was almost ok. Rahat answered,”yes it was almost ok but perfectly not ok.”
Vivek was very impatient and he questioned, “then why did you continue the shooting and kept camera rolling?”
Rahat answered with simplicity,” it was your rehearsal for tomorrow.”
Vivek asked Rahat how can it be possible to repeat the same emotions, performance and mood tomorrow morning.
Rahat answered him,” not exactly the same, try to do better than this and you will have to do it because you are Vivek, Impatient Vivek.”
Everybody was smiling, but hats off to Vivek who performed hundred times better and to the commitment of the director and cameraman for perfection, that the shot taken next morning was far better than expected with much gorgeous ambience.
Such is their coordination, dedication and understanding on the subject.
According to other unit members it was one of the best shots they had taken so far.